Portfolio.

Sound design for a theatrical production at the White Bear Theatre. Built a cue-driven score and effects world that tracked story beats and supported the cast live in a intimate room.

• Full sound design and cue structure
• Underscoring and atmospheric beds
• Live show operation
• System and speaker planning for the venue

Sound design for Lucy Prebble’s The Effect at The Old Red Lion. Shaped a clinical, intimate audio world—pulses, atmosphere, and precise cues that tracked the play’s shifting realities without overwhelming the dialogue.

• Full sound design and cue structure
• Atmospheric beds and transitional effects
• Live show operation in a studio theatre
• Close collaboration with director and cast

Immersive sound design for a sci-fi Halloween experience. Created spatial beds, stingers, and timed cues that carried audiences through the world and heightened tension without competing with live action.

• Immersive soundscape design
• Spatial and zone-based playback
• Live cueing and operation
• Collaboration with creative and technical teams

Sound design and original composition for Heretics at the Union Theatre. Built a charged, textural score that tracked argument, ritual, and rising tension across the production.

• Sound design and composition
• Cue plotting and transitions
• Live mixing and show operation
• Director collaboration on tone and pacing

Sound design for Of Mice and Men at OSO Arts Centre. Shaped atmosphere, underscoring, and effects that supported the story’s intimacy and weight in a clear, uncluttered mix.

• Full sound design and cue structure
• Atmospheric beds and scene transitions
• Live show operation
• Venue system planning

Sound design for Monster (Robbie Deffense). Crafted a cinematic audio world—design, atmosphere, and detail—built to support picture and story in the final mix.

• Film sound design
• Atmospheric and effects editorial
• Picture-led cueing and sync
• Collaboration with director and picture edit